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Tasso's 'Gierusalemme Liberata' is altogether unquestionably a fine poem, though it has some low, and many false thoughts in it: and Boileau very justly makes it the mark of a bad taste, to compare 'le Clinquant Tasse a l' Or de Virgile'. The image, with which he adorns the introduction of his epic poem, is low and disgusting; it is that of a froward, sick, puking child, who is deceived into a dose of necessary physic by 'du bon-bon'. These verses are these: "Cosi all'egro fanciul porgiamo aspersi Di soavi licor gli orli del vaso: Succhi amari ingannato intanto ei beve, E dall' inganno suo vita riceve."

Tasso's 'Gierusalemme Liberata' is altogether unquestionably a fine poem, though it has some low, and many false thoughts in it: and Boileau very justly makes it the mark of a bad taste, to compare 'le Clinquant Tasse a l' Or de Virgile'. The image, with which he adorns the introduction of his epic poem, is low and disgusting; it is that of a froward, sick, puking child, who is deceived into a dose of necessary physic by 'du bon-bon'. These verses are these: "Cosi all'egro fanciul porgiamo aspersi Di soavi licor gli orli del vaso: Succhi amari ingannato intanto ei beve, E dall' inganno suo vita riceve."

How important, then, that genius should be called in here to the aid of virtue, and the fascinations of the highest species of excellence employed to elevate, where so many causes exist to degrade the soul! "Cosi all egro fanciul' porgiamo aspersi, Di soave licor gli orli del Vaso; Succhi amari, ingannato intanto ei beve, Et dall' inganno suo vita riceve."