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Updated: June 18, 2025


A week after taking possession of the apartments in the treasury, the servants received orders to refuse admittance to every one, without distinction of rank or person, informing them that the artist was engaged in working for His Majesty. Sophonisba Anguisciola was the only person whom Moor never refused to see. He had greeted the strange girl on his arrival, as a father meets his child.

We have in several instances ventured to extend the limits as far as a part of the sixteenth century, and therefore include among female artists the name of Sofonisba Anguisciola, who was born about 1540. She was a noble lady of Cremona, whose fame spread early throughout Italy.

He liked to linger in the stables, for there he could distinguish himself; but it was also delightful to work, for Moor chose models and designs that pleased the lad, and Sophonisba Anguisciola, who often painted for hours in the studio by the master's side, came to Ulrich in the intervals, looked at what he had finished, helped, praised, or scolded him, and never left him without a jest on her lips.

Kugler calls this "a patchwork ideal," which puts the matter in a nut-shell. At one period the Eclectics produced harmonious pictures in a manner attractive to women, many of whom studied under Domenichino, Giovanni Lanfranco, Guido Reni, the Campi, and others. Sofonisba Anguisciola, Elisabetta Sirani, and the numerous women artists of Bologna were of this school.

A week after taking possession of the apartments in the treasury, the servants received orders to refuse admittance to every one, without distinction of rank or person, informing them that the artist was engaged in working for His Majesty. Sophonisba Anguisciola was the only person whom Moor never refused to see. He had greeted the strange girl on his arrival, as a father meets his child.

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