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Updated: May 27, 2025
In the case of Russia the country where the state, more than ordinarily artificial and ill-balanced, was correspondingly weak Fate had interpolated a blood-stained page of red and white terror in the years 1906-08. Although fitful, unorganized, and abortive, that wild splutter was one of the foretokens of the impending cataclysm, and was recognized as such by the writer of these pages.
The dates of the composition of his principal works are: "Serenade for Wind Instruments," Opus 7, 1882-83; "Eight Songs," Opus 10, 1882-83; "Aus Italien," Opus 16, 1886; "Don Juan," Opus 20, 1888; "Tod und Verklärung," Opus 24, 1889; "Four Songs," Opus 27, 1892-93; "Till Eulenspiegel's Lustige Streiche," Opus 28, 1894-95; "Three Songs," Opus 29, 1894-95; "Also Sprach Zarathustra," Opus 30, 1894-95; "Don Quixote," Opus 35, 1897; "Ein Heldenleben," Opus 40, 1898; "Feuersnot," Opus 50, 1900-01; "Taillefer," Opus 52, 1903; "Sinfonia Domestica," Opus 53, 1903; "Salome," Opus 54, 1904-05; "Elektra," Opus 58, 1906-08; "Der Rosenkavalier," Opus 59, 1909-10; "Ariadne auf Naxos," Opus 60, 1911-12; "Josef's Legende," 1913; "Eine Alpensymphonie," 1914-15; "Die Frau ohne Schatten," 1915-17.
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