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Updated: August 6, 2024
Wieland's "Oberon" had filled the popular mind with a great fondness for fantastic and Oriental subjects, and a rival manager had been successful with musical pieces in which the principal character was the popular Kasperl.
In this view every critical historian can concur, no matter what his tastes or where his home. But it is less easy for an English, French, or Italian critic than a German to pardon the incongruities, incoherences, and silly buffooneries which mar the opera. Some of the disturbing elements are dear to the Teutonic heart. Kasperl is, indeed, directly responsible for "Die Zauberflote."
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