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And now, attentive Reader, we have reached the point at which some foolish person is sure to interrupt us by declaring that The Rhine Gold is what they call "a work of art" pure and simple, and that Wagner never dreamt of shareholders, tall hats, whitelead factories, and industrial and political questions looked at from the socialistic and humanitarian points of view.

There are pearl-powder, violet-powder, rouge, bistre for the eyelids, belladonna for the eyes, whitelead and blacklead, yellow dye and mineral acids for the hair all tending to the utter destruction of both hair and skin. The effect of this "diaphanous" complexion and "aurified" hair (we borrow the expressions) in a person intended by nature to be dark, or swarthy, is most comical; sometimes the whitelead is used so unsparingly that it has quite a blue tint, which glistens until the face looks more like a death's head anointed with phosphorus and oil for theatrical purposes than the head of a Christian gentlewoman. It may be interesting to know, and we have the information from high, because soi-disant fashionable authority, that the reign of golden locks and blue-white visages is drawing to a close, and that it is to be followed by bronze complexions and blue-black hair

Or it might be a whitelead factory, or a chemical works, or a pottery, or a railway shunting yard, or a tailoring shop, or a little gin-sodden laundry, or a bakehouse, or a big shop, or any other of the places where human life and welfare are daily sacrificed in order that some greedy foolish creature may be able to hymn exultantly to his Platonic idol: Thou mak'st me eat whilst others starve, And sing while others do lament: Such untome Thy blessings are, As if I were Thine only care.