Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 7, 2025
At Varallo, since I took the photographs I published in my book Ex Voto, an angry pilgrim has smashed the nose of the dwarf in Tabachetti's Journey to Calvary, for no other reason than inability to restrain his indignation against one who was helping to inflict pain on Christ. It is the real hair and the painting up to nature that does this.
The general effect of the chapel is excellent, if we consider the material in which it is executed, and the rudeness of the audience to whom it addresses itself. The Crowning with Thorns. Here again the inspiration is derived from Tabachetti's Crowning with Thorns at Varallo.
As it stands, the essay requires so much revision that I have decided to omit it altogether, and to postpone giving English readers a full account of Tabachetti's career until a second edition of "Ex Voto" is required.
This group, again, bears no analogy to the Salutation chapel at Varallo, in which Tabachetti's share was so small that it cannot be considered as in any way his. It is not to be expected, therefore, that the Saas chapel should follow the Varallo one. The figures, four in number, are pleasing and well arranged. St. Joseph, St. Elizabeth, and St. Zacharias are all talking at once.
The idea of showing other horsemen and followers coming up from behind, whose heads can be seen over the crown of the interposing hill, is singularly effective as suggesting a number of others that are unseen, nor can I conceive that any one but the original designer would follow Tabachetti's Varallo design with as much closeness as it has been followed here, and yet make such a brilliantly successful modification.
The story of Tabachetti's insanity and imprisonment is very doubtful, and it is difficult to make his supposed visit to Saas fit in with the authentic facts of his life. Cavaliere Negri, to whose pamphlet on Tabachetti I have already referred the reader, mentions neither.
Word Of The Day
Others Looking