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Updated: May 9, 2025
In manuscript are a fine song, "Free as the Tossing Sea," and a well-devised trio. A successful writer of songs is C. Whitney Coombs. He was born in Maine, in 1864, and went abroad at the age of fourteen. He studied the piano with Speidel, and composition with Seiffritz, in Stuttgart, for five years, and pursued his studies later in Dresden under Draessecke, Janssen, and John.
After two years in Chicago, Kelley went to Germany, where, in Stuttgart, he studied the piano with Kruger and Speidel, organ with Finck, composition and orchestration with Seiffritz. While in Germany, Kelley wrote a brilliant and highly successful concert polonaise for four hands, and a composition for strings.
What he gave Speidel was more or less what he had felt, many years before, after his reading of Dühring. He admitted the substance of the anti-Semitic accusation which linked the Jew with money; he defended the Jew as the victim of a long historic process for which the Jew was not responsible.
At Oxford he earned a degree with honors. His musical instructors include Speidel, Lebert, and Pruckner, at Stuttgart, Huff the contrapuntist at Frankfort, and Vannucini, who taught him singing, at Florence. He made also a special study of light opera under Genée and Von Suppé.
"What is more, everyone knows it. The Jewish question is neither nationalistic nor religious. It is a social question." Then came the summer, 1894, and at its close Herzl took a much needed vacation. He spent the month of September in Baden, near Vienna, in the company of his fellow-feuilletonist on the Neue Freie Presse, Ludwig Speidel. Herzl has left a record of their conversation.
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