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There were inscriptions on the panels of the singing-gallery, telling of benefactions to the poor of Shepperton, with an involuted elegance of capitals and final flourishes, which my alphabetic erudition traced with ever-new delight. No benches in those days; but huge roomy pews, round which devout church-goers sat during 'lessons', trying to look anywhere else than into each other's eyes.
The light showed them to be close to the singing-gallery stairs, under which lay a heap of lumber of all sorts, but consisting mostly of decayed framework, pews, panels, and pieces of flooring, that from time to time had been removed from their original fixings in the body of the edifice and replaced by new.
The effect is heavy. The left side was used as a singing-gallery. The fine frame was carved by Giovanni Pietro di Udine in 1500, and gilded two years later by Antonio de' Tironi of Bergamo. Before 1484 the floor was of beaten earth; at that time a pavement of red Veronese marble was commenced, completed in 1544. The aisles are at a slightly higher level than the nave.
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