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Updated: May 5, 2025


It would be a good thing if you would arrange the septet you are about to publish as a quintet, with a flute part, for instance; this would be an advantage to amateurs of the flute, who have already importuned me on the subject, and who would swarm round it like insects and banquet on it. Now to tell you something of myself.

"One question, but answer it truly: are we the only quintet in the world, or is it true that there are hundreds of others? It's a question of the utmost importance to me, Pyotr Stepanovitch." "I see that from the frantic state you are in. But do you know, Liputin, you are more dangerous than Lyamshin?" "I know, I know; but the answer, your answer!" "You are a stupid fellow!

The scene of the encounter with Giarno and Mignon's rescue follows, and leads up to a very spirited quintet, which is followed by a graceful trio between Wilhelm, Filina, and Laertes, the actor.

Every one of these fine champions had formed this first group in the fervent conviction that their quintet was only one of hundreds and thousands of similar groups scattered all over Russia, and that they all depended on some immense central but secret power, which in its turn was intimately connected with the revolutionary movement all over Europe.

The opening Allegro of the "Quintet" begins with a 'cello solo of scherzesque quality, but as the other voices join in, it takes on a more passionate tone, whence it works into rapturously beautiful moods and ends magnificently. The piano part has a strong value, and even where it merely ornaments the theme carried by the strings, it is fascinating.

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