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Even Spenser, I think, has only partially expressed it under the figure of Phaedria, more properly Idle Mirth, in the second book. The idea is, however, entirely worked out in the Vanity Fair of the "Pilgrim's Progress." SECTION LXXII. Eighth side. Envy. One of the noblest pieces of expression in the series.
Such as, in TERENCE's Eunuch, is the deference and reconcilement of THAIS and PHAEDRIA; which is not the chief business of the Play, but promotes the marriage of CHOEREA and CHREMES's sister, principally intended by the Poet.
He has an Idea of its excellency; though it cannot pass from his mind into any other expression or words than those in which he finds it. "When PHAEDRIA, in the Eunuch, had a command from his mistress to be absent two days; and encouraging himself to go through with it, said, Tandem ego non illa caream, si opus sit, vel totum triduum?
There is a Chremes in four plays who stands for an old man in three, for a youth in one; while the names Sostrata, Sophrona, Bacchis, Antipho, Hegio, Phaedria, Davus, and Dromo, all occur in more than one piece. Thus we lose that close association of a name with a character, which is a most important aid towards lively and definite recollection.
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