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Updated: May 17, 2025
At the time of Salvator Rosa's return to Rome says Pascoli, he figured away as the great painter, opening his house to all his friends, who came from all parts to visit him, and among others, Antonio Abbati, who had resided for many years in Germany.
Pascoli relates that Prince Francisco Ximenes, soon after his arrival at Rome, in the midst of the honors paid him, found time to visit the studio of Salvator Rosa, who showed him into his gallery.
Giovanni Baptista Gaulli, called Baciccio, one of the most eminent Genoese painters, was no less celebrated for portraits than for history. Pascoli says he painted no less than seven different Pontiffs, besides many illustrious personages.
They were, therefore, armed for their wonted pious discipline, when the miserable Salvatoriello fell in their way; whether he was honored by the consecrated hand of the prior, or writhed under the scourge of the procurator, does not appear; but that he was chastised with great severity more than proportioned to his crime, is attested by one of the most scrupulous of his biographers, Pascoli, who, though he dwells lightly on the fact, as he does on others of more importance, confesses that he suffered severely from the monks' flagellation.
Pascoli gives a curious picture of the prevailing pedantry of the times, by describing a discourse of Antonio Abbati's at Salvator's dinner-table, on the superior merits of the ancient painters over the moderns, in which he "bestowed all the tediousness" of his erudition on the company.
She was a sister of Lorenz Pasch. <b>PASCOLI, LUIGIA.</b> This Venetian painter has exhibited in various Italian cities since 1870, when she sent a "Magdalen" to Parma. "First Love" appeared at Naples in 1877, and "The Maskers" pastel at Venice in 1881. A "Girl with a Cat," a "Roman Girl," and a "Seller of Eggs" the latter in Venetian costume are works of true value. Her copies of Titian's "St.
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