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Short as the moment of his resolve might be, it was, like all great moments, a moment of immortality, and the desire to say of it exegi monumentum oere perennius was the only sentiment that would satisfy his mind. The modern aesthetic man would, of course, easily see the emotional opportunity; he would vow to chain two mountains together.
The floor was crowded with dancers. In addition to a constable whose duty it was to intervene if necessity arose, the establishment had its own commissionaire, who walked about the hall with a stick, keeping an eye on the assembled company. As soon as a dance was finished, the gentlemen all crowded to the platform and paid ten oere.
He glared at her weeping eyes, his manner demanding of her instant explanation. She retreated a step, moved her hand toward the approaching troop, and cried distressfully: "Tu va oère!" "You will see!" His glance was drawn to Bonaventure.
Exegi monumentum oere perennius Regalique situ pyramidum altius, Quod non imber edax, non Aquilo impotens Possit disruere, aut innumerabilis Annorum series, et fuga temporum: So I say, severally, of Sir PHILIP SIDNEY's, SPENSER's, DANIEL's, DRAYTON's, SHAKESPEARE's, and WARNER's works, Non FOVIS ira: imbres: MARS: ferrum: flamma: senectus: Hoc opus unda: lues: turbo: venena ruent.
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