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Updated: May 23, 2025
Tazewell before his marriage in 1802, by an unknown artist. It could not have been good at any period of his life. The portrait by Thomson, taken in 1816, when he was about forty, which is a faithful likeness, and the most intellectual of all his portraits which I have seen. A copy of the above, by Leonard, a pupil of Thomson. A Crayon, by St. Mimin, taken in 1812, from which the engravings of Mr.
We met sheikhs walking with little battle-axes on long poles weapons in war, and in peace used for chopping wood, at all times emblems of their rank. The plain at length broke away, and we got into the narrow, and not very deep, wooded Wadi el Mimin. It has very precipitous sides of basalt, brown in colour, and making a very untidy attempt at being columnar.
Mimin used to paint, and a few photographs in frames, most of them of children, but among them one of Livingstone himself. All this Livingstone took in as he entered. The room was in a state of confusion, and a lounge on one side, with its pillows still bearing the imprint of an occupant, showed that the house held an invalid. In one corner a Christmas-tree, half dressed, explained the litter.
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