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That she had not seen since Ligny's departure. But perturbing things were happening, within her and around her. In the street she was followed by a water-spaniel, which appealed and vanished suddenly. One morning when she was in bed her mother told her "I am going to the dressmaker's," and went out.

Pretending to look among her trinkets, she grazed Ligny's neck with her lips, and whispered to him: "Wait for me after the show, in a cab, at the corner of the Rue de Tournon." At this moment the sound of voices and footsteps was heard in the corridor. The actors in the curtain-raiser were returning to their dressing-rooms. "Doctor, pass me your newspaper."

Already Ligny's horsemen were scouring the country round Como in pursuit of the fugitive, and reports reached Venice that the duke had been captured and Galeazzo slain. By this time, however, Lodovico had crossed the frontier and was safe on Tyrolese soil.

We are told that Bayard, the Good Knight, who had accompanied the King through the whole campaign, distinguished himself in the first charge at the head of de Ligny's company, and had two horses killed under him, then continued fighting on foot, and in the thick of the battle he took the standard of the horsemen opposing him, and covered himself with glory.

The faithful servants who had followed him into exile, saw their lands and houses confiscated and divided among the victors. The Count of Ligny's mother occupied the Marchesino Stanga's house, and Trivulzio's triumph over his rivals was complete when he received the Moro's palace of Vigevano and Messer Galeazzo's fair domain of Castel Novo as his share of the spoils.

She had also surprised the oldest actress of the theatre, their excellent mother Ravaud, in a corridor, baring, at Ligny's approach, all that was left to her, her magnificent arms, which had been famous for forty years. Fagette, with disgust, and the tip of a gloved finger, called Nanteuil's attention to the scene through which Durville, old Maury and Marie-Claire were struggling.