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Updated: May 22, 2025
They travelled, with their wives and children, their wagons, as with the ancient Scythians and with the modern South African Dutch, being at once their conveyance and their home. Gray-haired priestesses tramped along among them, barefooted, in white linen dresses, the knife at their girdle; northern Iphigenias, sacrificing prisoners as they were taken, to the gods of Valhalla.
How many Iphigenias have been written! yet they are all different, for each writer considers and arranges the subject differently; namely, after his own fashion. "But, for the present, you had better lay aside all great undertakings.
Few chapters of historical romance have drawn more frequent tears. The favorite heroine of ballad and drama, to Netherlanders she is endued with the palpable form and perpetual existence of the Iphigenias, Mary Stuarts, Joans of Arc, or other consecrated individualities.
Few chapters of historical romance have drawn more frequent tears. The favorite heroine of ballad and drama, to Netherlanders she is endued with the palpable form and perpetual existence of the Iphigenias, Mary Stuarts, Joans of Arc, or other consecrated individualities.
They travelled with their wives and children, their wagons, as with the ancient Scythians and with the modern South African Dutch, being at once their conveyance and their home. Gray- haired priestesses tramped along among them, barefooted, in white linen dresses, the knife at their girdle; northern Iphigenias, sacrificing prisoners as they were taken to the gods of Valhalla.
Few chapters of historical romance have drawn more frequent tears. The favorite heroine of ballad and drama, to Netherlanders she is endued with the palpable form and perpetual existence of the Iphigenias, Mary Stuarts, Joans of Arc, or other consecrated individualities.
Few chapters of historical romance have drawn more frequent tears. The favorite heroine of ballad and drama, to Netherlanders she is endued with the palpable form and perpetual existence of the Iphigenias, Mary Stuarts, Joans of Arc, or other consecrated individualities.
"Gluck," Bombet says, "in order to warm his imagination and to transport himself to Aulis or Sparta, was accustomed to place himself in the middle of a beautiful meadow. In this situation, with his piano before him, and a bottle of champagne on each side, he wrote in the open air his two 'Iphigenias, his 'Orpheus, and some other works."
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