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Updated: May 11, 2025
While in some cases which remain to be noticed they reached the elaboration of small plays, in others they probably remained simple affairs enough. We get an interesting glimpse of the conditions of production in a note of John Aubrey's. 'In tempore Jacobi, he writes, 'one Mr. George Ferraby was parson of Bishops Cannings in Wilts: an excellent musitian, and no ill poet.
After that wind musique was over, they sang their pastorall eglogues. This was in 1613; Ferraby or Ferebe later became chaplain to the king. The more elaborate pieces were usually written for performance at schools or colleges. Such a piece is Tatham's Love Crowns the End, composed for the scholars of Bingham in Nottinghamshire in 1633, and printed in his Fancy's Theatre in 1640.
The eight now elevated to this exalted rank are: Enoch Olinga, William Sears, and John Robarts, in West and South Africa; Hasan Balyuzi and John Ferraby in the British Isles; Collis Featherstone and Rahmatu’lláh Muhájir, in the Pacific area; and Abu’l-Qásim Faizí in the Arabian Peninsula—a group chosen from four continents of the globe, and representing the Afnán, as well as the black and white races and whose members are derived from Christian, Muslim, Jewish and Pagan backgrounds.
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