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Updated: May 13, 2025
Cinthia, to say the truth, was by no means an ill-looking girl; her eyes were bright and expressive; the hair fell in shining ringlets over her bosom; her lips were red and full, and she bowed them towards Abellino's. But Abellino's were still sacred by the touch of Rosabella's cheek. He started from his seat, and removed, yet gently, Cinthia's hand, which rested on his shoulder.
Scarcely had Abellino achieved the bloody deed which employed every tongue in Venice, when he changed his dress and whole appearance with so much expedition and success as to prevent the slightest suspicion of his being Matteo's murderer. He quitted the gardens unquestioned, nor left the least trace which could lead to a discovery. He arrived at Cinthia's dwelling. It was already evening.
The younger, a lawyer of Lincoln's Inn, published in 1615 "Satyrical Essayes, Characters, and others, or accurate and quick Descriptions fitted to the life of their Subjects." He had published two years before a play called "Cinthia's Revenge, or Maenander's Extasie," which Langbaine described as one of the longest he had ever read, and the most tedious.
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