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Updated: May 16, 2025
The form of the mouths, and the expression and shape of the heads, especially in the second angel on the right, are similar to the work of Buggiardini as seen in Florence, Milan, and the Cathedral of Pisa. Buggiardini is the only one of the assistants who seems to have reaped any benefit, beyond their wages, from the work they did for the great master.
Take no notice of him. Tell Buonarroto that I will reply to him another time. "The day twenty 7 of January. "MICHAEL ANGELO, in Rome." Buggiardini appears to have fared better than L’Indaco. He painted a portrait of Michael Angelo with a towel tied round his head like a turban, now in the Casa Buonarroti, at Florence.
Neither Raffaellino del Garbo nor Giovanni Michi were employed, but the next letter of Granacci, dated July 24, 1508, mentions Giuliano Buggiardini and Jacopo L’Indaco, who were both tried. Vasari informs us that Granacci, Jacopo di Sandro, and the elder Indaco, Agnolo di Donnino, and Aristotile da Sangallo also accepted work.
We may fancy L’Indaco, Buggiardini, and the rest, staring with amazement at the huge figures and the great flowing lines before them, and trying to fit their dry manner of painting to the new grandeur of design. It could but end in one way.
It is an energetic head, with jet black hair and sallow complexion, with many lines and wrinkles for so young a face, determined, sad, and scornful in expression; a slight weakness and affectation may be due to the personality of the painter. Buggiardini also executed a painting from the cartoon of the master, the Madonna and Child with Angels, number 809, of the National Gallery.
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