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Updated: June 28, 2025
Yet this represents only the first period of Freud's activity, in which he collaborated with Breuer, a phase which is represented by their book on hysteria, in 1895. But there followed a further development which is still more essential.
Gallery 56 is a typical modern American room, with good landscapes in the work of Breuer, Borg, Davol, and Stokes. Gallery 65 contains some of the best American figure paintings in the building. The finest group is that by Cecilia Beaux on wall D, which well displays that remarkable artist's brilliant technique and "flair."
Bresler has called attention to the fact that the movements are in the nature of defensive and protective movements of expression and mimicry and originally in reaction to some external irritant or as the result of some idea, and he proposed the name "mimische Krampfneurose" for them. This is somewhat allied to Breuer and Freud's theory of hysteria. Quoted by Meige and Feindel, Loc. cit., p. 267.
One can observe that they appear in their time during the development of the individual almost spontaneously at the call of education and influence. Studien über Hysterie, 1895, J. Breuer tells of the patient on whom he first practiced the cathartic method: "The sexual factor was surprisingly undeveloped."
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