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They contain an acrimonious description of Jewish life in the time of Nicholas I. No Jewish artist had ever yet dipped his brush in colors so dismal and had displayed so ferocious a hatred as did Bogrov in painting the old Jewish mode of life within the Pale, with its poverty and darkness, its hunters and victims, its demoralized Kahal rule of the days of conscription.
In 1879 Bogrov began a new novel, "The Scum of the Age," picturing the life of the modern Jewish youth who were engulfed in the Russian revolutionary propaganda. But the hand which knew how to portray the horrors of the old conscription was powerless to reproduce, except in very crude outlines, the world of political passions which was foreign to the author, and the novel remained unfinished.
To the mind of Bogrov, only two ways promised an escape from this hell: the way of cosmopolitanism and rationalism, opening up into humanity at large, or the way leading into the midst of the Russian nation. Bogrov himself stood irresolute on this fateful border-line.
Among their publications were, besides the original writings of Peretz, Taviov, Frischman, Berdichevsky, Chernikhovsky, and others, also translations from Bogrov, Byron, Frug, Hugo, Nordau, Shakespeare, Spencer, Zangwill, Zola, critical biographies of Aristotle, Copernicus, George Eliot, Heine, Lassalle, Nietzsche, Rousseau, and a great many equally famous men of letters, which followed each other in promiscuous but uninterrupted succession, all handsomely printed and prettily bound, and sold at a moderate price.
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