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Updated: May 23, 2025
She played tragedy princesses most charmingly. I often had tickets for the Porte Saint Martin, and I thoroughly enjoyed La biche au bois. Madame Ulgade sang admirably in her role of the young prince, and amazed me. Mariquita charmed me with her dancing. She was delightful and so animated in her dances, so characteristic, and always so full of distinction. Thanks to old Josse, I knew every one.
The minutes flew, soon running into quarters of an hour, and these quarters of an hour made half-hours, and then entire hours. I kept looking at the clock, the large clock in the manager's room, where Madame Ulgade was making me rehearse. She thought my voice was pretty, but I kept singing out of tune, and she helped me along and encouraged me all the time. I was dressed up in Mlle.
Mariquita, who had just arrived, also persuaded me, and Madame Ulgade was sent for to rehearse the duos, for I was to sing. Yes, and I was to sing with a veritable artiste, one who was considered to be the first artiste of the Opera Comique. There was but little time to spare. Josse made me rehearse my role, which I almost knew, as I had seen the piece often and I had an extraordinary memory.
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