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Updated: June 7, 2025
We are indebted to Tristan Tzara and his followers for the newest and perhaps the most important doctrinary insistence as applied to art which has appeared in a long time. Dada-ism is the latest phase of modernism in painting as well as in literature, and carries with it all the passion for freedom of expression which Marinetti sponsored so loudly in his futuristic manifestoes.
Armed with a special document called a tzara, which gave him the right to receive at all post stations the best horses, one to ride and one fully saddled to lead as a change, together with two oulatchen or guards to accompany him and bring back the horses from the next station or ourton, he made the distance of from fifteen to thirty miles between stations at full gallop, stopping only long enough to have the horses and guards changed before he was off again.
Supplied with an express tzara for the post horses and guides, we traveled rapidly over the way which was now familiar to me to find my old friend, Jelib Djamsrap Huktuktu of Narabanchi. Although there was deep snow in some places, we made from one hundred to one hundred and fifteen miles per day. We arrived at Narabanchi late at night on the third day out.
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