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Updated: May 26, 2025
He returned fired with animosity against the Moors, and filled with ardent sympathy for those Christians still in slavery. Thus his comedy of "El Trato de Argel, Los Baños de Argel," his tale of the Captive in "Don Quixote," and that of the Generous Lover, were not mere literary works, but charitable endeavors to serve the Christian captives, and to excite the public sympathy in their favor.
Only two of them have been preserved, but as they happen to be two of the seven or eight he mentions with complacency, we may assume they are favourable specimens, and no one who reads the "Numancia" and the "Trato de Argel" will feel any surprise that they failed as acting dramas.
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