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Updated: May 8, 2025
"He carries in his head a coherent system of tone-images, in which every element has its place and value; he perceives delicate differences of sound, of timbre; he succeeds, through exercise, in penetrating into their most varied combinations, and the knowledge of harmonious relations is for him what design and the knowledge of color are for the painter: intervals and harmony, rhythm and tone-qualities are, as it were, standards to which he relates his present perceptions and which he causes to enter into the marvelous constructions of his fancy."
The scale runs, then, from the little to the large, from the bright to the dark, from ecstatic delight to horror, and from the trivial to the solemn and awful." Robert Louis Stevenson in his Some Technical Elements of Style in Literature, and many other curious searchers into the secrets of words, have attempted to explain the physiological basis of these varying "tone-qualities."
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