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Moral Effect on Audience There was quite a pretty hubbub in theatredom caused by a circular letter of "The Church Pastoral Aid Society," calling upon incumbents and curates to regard theatrical performances as "a serious menace to the spiritual influence of the Church," and suggesting that in future they should refuse to take money raised by means of theatrical performances, or by bazaars or whist-drives or dances.

A curious aspect of the matter is that theatredom, as appears from the bulk of the evidence before the Censorship Commission, is opposed to the class of play in which the proposition is preached that "the wages of sin is death."

Here in the heart of theatredom was the players' curb market, the theatrical rendezvous of the metropolis, where the mummer comes both to talk shop with his fellow actor, and seek a new engagement.

Plays like Ghosts and A Doll's House as far as the episode of Nora's hopeless lover is concerned and the works of that fierce moralist M. Brieux are banned by most of official theatredom, and some of them are censored. In fact, the whole note of the theatre is that gloomy or painful matters should be excluded.