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At last he dropped the lute to his feet with a clatter, and, wrapping himself in the "syrma," stood as if petrified, like one of those statues of Niobe which ornamented the courtyard of the Palatine. Soon a storm of applause broke the silence. But in the distance this was answered by the howling of multitudes.
If the first part of the stanza was thus divisible, the parts were called pedes, and the musical theme or oda of the first pes was repeated for the second; the rest of the stanza was known as the syrma or coda, and had a musical theme of its own.
At moments, when he stopped to catch breath, the chorus of singers repeated the last verse; then Nero cast the tragic syrma from his shoulder with a gesture learned from Aliturus, struck the lute, and sang on. When he had finished the lines composed, he improvised, using grandiose comparisons in the spectacle unfolded before him. His face began to change.
He was not moved, it is true, by the destruction of his country's capital; but he was delighted and moved with the pathos of his own words to such a degree that his eyes filled with tears on a sudden. At last he dropped the lute to his feet with a clatter, and, wrapping himself in the syrma, stood as if petrified, like one of those statues of Niobe which ornamented the courtyard of the Palatine.
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