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In criticism it is his business to break the images of false gods and misshapen heroes, to take away the poor silly, toys that many grown people would still like to play with. He cannot keep terms with "Jack the Giant-killer" or "Puss-in-Boots," under any name or in any place, even when they reappear as the convict Vautrec, or the Marquis de Montrivaut, or the Sworn Thirteen Noblemen.
"And when I saw those three guards to-day pacing about that Sibley," excitedly spoke the Virginia Captain, "I felt like mounting a cracker-box in camp and asking the men to follow me, and find out on what grounds, this puss-in-boots outraged in this way men more well-meaning and determined than himself in the suppression of this rebellion. But it will all come right.
Ralston has an interesting article on Puss-in-Boots in the Nineteenth Century, August, 1883, though in his days there was a tendency to explain all fairy tales as variants of the Sun and Moon myths.
Lang argues elaborately that it is impossible to determine the original home of Puss-in-Boots, though he seems to own that it had one. His criterion is the absence or presence of a moral in the story, in this case the incident showing the ingratitude of the Marquis.
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