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As vernacular languages were used for poetry, problems of Hindi composition began to dwarf those of Sanskrit. It was necessary to discuss how best to treat each nayika and nayaka not only in Sanskrit but in Hindi poetry also, and to meet this situation Keshav Das, the poet of Orchha in Bundelkhand, produced in 1591 his Rasika Priya.
As we have seen, this poem was composed at Orchha in Bundelkhand in 1591, at a time when both poet and court were in close association with Akbar. Yet the version in question shows the same poverty-stricken manner with its crude aping of imperial idioms and utter lack of sensitive expression.
Believing that the Rájá of Orchhá was the sole culprit, he despatched a force against him. The guilty Rájá fled to the jungles, and succeeded in avoiding capture, until the death of Akbar rendered unnecessary his attempts to conceal himself. A reconciliation with Salím followed, and the Emperor once more despatched his eldest son to put down the disturbances in Mewár.
For Salím, whose memory was excellent, and whose hatred was insatiable, took the opportunity of the return of Abulfazl from the Deccan, but slightly attended, to instigate the Rájá of Orchhá to waylay and murder him. The murder of his friend was a heavy blow to Akbar. Happily he never knew the share his son had in that atrocious deed.
So likewise were the minor states of Rájpútána; so also was Sind; so also Múltán. Mewát and Baghelkhand owned no foreign master; but Gwalior, Orchha, Chanderí, Narwár, and Pannao suffered from their vicinity to Agra, and were more or less tributary, according to the leisure accruing to the conqueror to assert his authority.
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