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Updated: July 31, 2024
His high-heeled slippers, whose purity he miraculously preserved unimpaired when mud was at its height in the streets of Tiflis, he left always at the threshold of his pupil's room, pressing carpet and divan only with his immaculate variegated stockings. But Mirza-Schaffy's main charm lay in his thorough genuineness, his earnestness of purpose and the tranquillity of his whole being.
Later, Jussuf strove to win Bodenstedt by repeated messages, accompanied by songs in the most exquisite handwriting. Mirza-Schaffy's opinion concerning these compositions is embodied in quite a number of songs, of which space must be found for one: Mirza-Schaffy himself was a miracle of skill in chirography: none could equal him in wielding the kalem.
And so it proved. On the very evening when he was returning home with softened heart after the recital of the joys and sorrows of his first love, Mirza-Schaffy's attention had been arrested by a lovely maiden who, as he pushed back his cap solely, of course, to cool his heated brow gave incontestable evidences of being smitten with him.
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