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Updated: May 26, 2025
His visits were varied by those of the great male-soprano Sassaroli; and in addition to these two representatives of German and Italian music, we also had the company of Mieksch, her singing master.
When Clara Wieck returned home, she gave herself up to work with fresh ardor, studying composition under Heinrich Dorn, singing under the celebrated Mieksch, and even violin-playing, so great was her ambition for musical accomplishments. From 1836 to 1838 she made an extended musical tour through Germany, and was welcomed as a musico-poetic ideal by the enthusiasts who gathered around her.
Clara was more gifted; in addition to a great deal of musical feeling, and a fine rich touch on the piano, she possessed a particularly sympathetic voice, the development of which was so premature and remarkable that, under the tuition of Mieksch, her singing master, who was famous at that time, she was apparently ready for the role of a prima donna as early as her sixteenth year, and made her debut at Dresden in Italian opera as 'Cenerentola' in Rossini's opera of that name.
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