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Updated: May 18, 2025
The scene is interrupted by the notes of a horn announcing the arrival of a messenger. The third act is introduced with a very free and animated soldiers' chorus. Two duets follow, between Azucena and the Count, and Manrico and Leonora, the second worked up with beautiful effect by the blending of the organ in the convent chapel.
He consents, and Leonora hastens to the prison to convey the tidings, having previously taken poison, preferring to die rather than fulfil her hateful compact. Manrico refuses his liberty, and as Leonora falls in a dying condition the Count enters and orders Manrico to be put to death at once.
In the second act we are introduced to a gypsy camp, where Azucena relates to Manrico, who has been wounded in the duel with the Count, the same story which Ferrando had told his friends, with the addition that when she saw her mother burning she caught up the Count's child, intending to throw it into the flames, but by a mistake sacrificed her own infant.
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