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Updated: May 29, 2025
That sculptor also gave his attention to architecture, and executed, among other works, the portico of S. Celso in Milan, which was finished after his death by Tofano, called Lombardino, who, as was said in the Life of Giulio Romano, built many churches and palaces throughout all Milan, and, in particular, the convent, church, and façade of the Nuns of S. Caterina at the Porta Ticinese, with many other buildings similar to these.
In that work he was assisted by Antonio Campo, his brother, who also painted for the Nunnery of S. Caterina at the Porta Ticinese, likewise in Milan, for a chapel in the new church, the architecture of which is by Lombardino, a picture in oils of S. Helen directing the search for the Cross of Christ, which is a passing good work.
These works brought him forward in such a manner, that, when Girolamo Genga went, as we have said, to paint the chapel in S. Francesco at Forlì for M. Bartolommeo Lombardino, Francesco at that time went to live with Genga, seizing that opportunity of learning, and did not cease to serve him as long as he lived.
Not long afterwards the superintendents of the building of S. Petronio at Bologna, being desirous to make a beginning with the façade of that church, succeeded after great difficulty in inducing Giulio to go there, in company with a Milanese architect called Tofano Lombardino, a man in great repute at that time in Lombardy for the many buildings by his hand that were to be seen in that country.
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