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Olivier spent a few hours more in the town, where he did not know a soul, though it was peopled for him with so many familiar shadows: the boy Christophe, those whom he had loved, and those who had made him suffer; and dear Antoinette.... What was there left of all those human beings, who had lived in the town, the family of the Kraffts, that now had ceased to be?

The odd thing was that, in spite of his constant anxiety about his stage pose, there was in him, as in Jean Michel, in spite of his timid respect for social conventions, a curious, irregular, unexpected and chaotic quality, which made people say that the Kraffts were a bit crazy.

The Kraffts were without fortune, but were considerable people in the little Rhine town in which the old man had settled down more than fifty years before. Both father and son were musicians, and known to all the musicians of the country from Cologne to Mannheim. Melchior played the violin at the Hof-Theater, and Jean Michel had formerly been director of the grand-ducal concerts.

There was no danger of his ever being alone. He was a host in himself. Ages of Kraffts, healthy and rejoicing in their health. Against hostile Paris, against a hostile people, he could set a whole people: the fight was equal. He had left the modest room it was too expensive which he occupied and taken an attic in the Montrouge district. It was well aired, though it had no other advantage.