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He expresses his mind quite clearly on the subject. "Great artists formerly," he says, "were more eclectic than ourselves, and less fettered by their nationalities. Josquin's school has peopled all Europe. Roland has lived in Flanders, in Italy, and in Germany. With them the same style expressed the same thought everywhere. We must do as they did.
Though her voice was no longer so free from sharpness and harshness as in the old days, it by no means jarred upon the ear; nay, every tone revealed its admirable training. She had broken the long silence with Josquin's motet, "Quia amore langueo," and in her quiet chamber dedicated it, as it were, to the man to whom this cry of longing had been so dear.
What the marquise at first had merely conjectured and put together from various signs, became, by constant assiduous observation, complete certainty when the singer, after a tolerably long pause, joined in Josquin's hymn to the Virgin. In the Benedictio Mensae she remained silent, but at the first effective passage joined in the singing of the boys.
Though her voice was no longer so free from sharpness and harshness as in the old days, it by no means jarred upon the ear; nay, every tone revealed its admirable training. She had broken the long silence with Josquin's motet, "Quia amore langueo," and in her quiet chamber dedicated it, as it were, to the man to whom this cry of longing had been so dear.
What the marquise at first had merely conjectured and put together from various signs, became, by constant assiduous observation, complete cer- tainty when the singer, after a tolerably long pause, joined in Josquin's hymn to the Virgin. In the Benedictio Mensae she remained silent, but at the first effective passage joined in the singing of the boys.
Though her voice was no longer so free from sharpness and harshness as in the old days, it by no means jarred upon the ear; nay, every tone revealed its admirable training. She had broken the long silence with Josquin's motet, "Quia amore langueo," and in her quiet chamber dedicated it, as it were, to the man to whom this cry of longing had been so dear.
Single tones had reached his ears, but he did not feel in the mood to descend the stairs. He went to rest earlier than usual. The next morning, after mass, he himself asked for Josquin's "Ecce tu pulchra es." It was to be sung during the noonday meal.
What the marquise at first had merely conjectured and put together from various signs, became, by constant assiduous observation, complete certainty when the singer, after a tolerably long pause, joined in Josquin's hymn to the Virgin. In the Benedictio Mensae she remained silent, but at the first effective passage joined in the singing of the boys.
The next morning, after mass, he himself asked for Josquin's "Ecce tu pulchra es." It was to be sung during the noonday meal.
Single tones had reached his ears, but he did not feel in the mood to descend the stairs. He went to rest earlier than usual. The next morning, after mass, he himself asked for Josquin's "Ecce tu pulchra es." It was to be sung during the noonday meal.
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