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Updated: June 17, 2025
Yet Ye Hutte holds scant place in its real owner's esteem compared with that larger studio owned by all the Dean artists in common, where all their summer's work is done, and which is parquetted with grain-field gold and meadow emerald, walled with rainbow horizons, and roofed with azure festooned with spun silk.
Ye Hutte is better appreciated as evening rendezvous for the palette-bearing hosts, both male and female, who, sunbrowned and tired, partake there of restful social converse as well as of the hospitable cup that cheers.
To the usual artistic circle of Ye Hutte is often added a not uncongenial element from the outside world, sometimes even from within the borders of Philistia.
Ye Hutte is an artist's studio, and its name may be found in all the exhibition catalogues, for several generations of painters drift through it every year. As one inmate rushes off to the Continent, the sea-shore, or the mountains, another takes his place.
But it is very tender, and not even the wildest storm-effects raise the landscape to any expression of tragic grandeur, but only suede its fair hues and soft outlines to the wan pathos peculiar to English moorlands. Ye Hutte is a misnomer for the extraordinary establishment, studio and domicile combined, at which we dismounted.
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