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Father Georges Le Baillif also left for France during the autumn, as a delegate from the inhabitants of the settlement, who had prepared a memorandum of their grievances. This document was signed by Champlain, Father Jamet, Father Le Caron, Louis Hébert, Guillaume Couillard, Eustache Boullé, Pierre Reye, Olivier Le Tardif, J. Groux, Pierre Desportes, Nicholas and J.B. Guers.
Not the dream cities of James Ensor or De Groux, the Paris of Rops is at once an abode of disillusionment, of mordant joys, of sheer ecstasy and morbid hallucinations. The opium of Rops is his imagination, aided by a manual dexterity that is extraordinary. He is a master of linear design. He is cold, deadly cold, but correct ever.
The original sketches for these great compositions were preserved in the museum of the town, but the detailed drawings, some in color, were, up to the outbreak of the war in 1914, in the Museum of Decorative Arts in Brussels, together with the cartoons of another artist, Charles de Groux , to whom the decoration of the Halles had been awarded by the State in competition.
The shrill dissonance in his work is instantly reflected in the brain of the speaker. In his best work not his skeletons dancing with plump girls, or the youthful macabre extravagances after the manner of Rops, Rethel, De Groux, or James Ensor he does invoke a genuine thrill.
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