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Updated: June 11, 2025
The artist's identity is once again uncertain, but just as the Garhwal master was fascinated by the swirl of curling water, the Kangra artist in question delighted in the blonde pallor of the Indian moon. Each incident in the text is rendered as if in moonlight a full moon riding in the sky, its pale reflection shining in water, the countryside itself bathed throughout in frosty whiteness.
It is unlikely that artists were immediately summoned, but certainly by 1780 a flourishing school of painters had come into existence. As at Garhwal, the artists of Kangra came originally from Guler and thus a similar phenomenon arises the Guler manner providing the basis for yet a second great style.
They are not particularly abundant in the Himalayas, and, as they do not seem to occur west of Garhwal, I am perhaps not justified in giving them a place in this essay. I do so because one species is fairly common round about Naini Tal. The head and neck of the cock are glistening green. The back, shoulders, chin, throat, breast, and sides of the head are crimson.
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