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"Chiama Tamburo, Pezuolo e Martello, La Foglia, la Castagna e la Guerrina, Fagiano, Fagianin, Rocca e Capello, E Friza, e Biondo, Bamboccio e Rossina, Ghiotto, la Torta, Viola e Pestello, E Serchio e Fuse e'l mio Buontempo vecchio, Zambraco, Buratel, Scaccio e Pennecchio...." Every muscle of the keen old hunter was now quivering; his eyes were bright, his smile open and that of a child.
Jasmin's words, in Gascon, are these: "Quand Pegazo reguiuno, et que d'un cot de pe Memboyo friza mas marotos, Perdi moun ten, es bray, mais noun pas moun pape, Boti mous beis en papillotos!" Jasmin's first efforts at verse-making were necessarily imperfect. He tried to imitate the works of others, rather than create poetical images of his own.
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