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Updated: May 5, 2025
His writing often displays the keen eye of the painter, and his familiarity with the technique of pencil and brush has much enriched his capacity to see and to make his reader see with him. Such essays as "Going to Art Exhibitions," and the one-third dedication of "Walking-Stick Papers" to Royal Cortissoz are due to his interest in the world as pictures.
He had a sort of enraptured vision of the earth as beautiful, the innocence of the eye we encounter in children only. The truth is, Stevenson, Cortissoz, and Beruete are all three in the right.
Remember, I am not arguing with you, as Jemmy Whistler puts it, I'm just telling you; these things are not a matter of taste, but a matter of fact, of rotten bad paint. What Royal Cortissoz wrote of the German Exhibition and of the Scandinavians when in New York fits into this space with appositeness: "... an insensitiveness to the genius of their medium.
He is an impressionist in criticism... Such an essayist is Mr. Huneker, a foe to dulness who is also a man of brains." Royal Cortissoz in New York Tribune.
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