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Updated: May 25, 2025
About this time, Cogniard, the director of the Porte-Saint-Martin, received a letter with fifty signatures, asking for a second performance of "Vautrin." He communicated this request to Balzac, who stipulated that if "Vautrin" were again put on the stage, all caricature of Louis Philippe should be avoided by the actor who played the principal part.
The day before his execution Delaporte, chief of the Trappes band, who was wearing the strait-jacket, asked of the convict Cogniard, whom, through the grating in the door of the condemned cell, he saw passing by: "Are there any pretty women in the visitors' parlor this morning?" Between the male and female wretch dreams build a Bridge of Sighs, as it were.
A few days after the Revolution, Theodore Cogniard, manager of the Porte-Saint-Martin Theater, wrote to Balzac and proposed to reproduce Vautrin. Balzac, in replying, referred to Lemaitre's toupet, and explained that, when disguising Vautrin as a Mexican general, he had in his mind General Murat.
He told Cogniard he was willing to allow the revival, if care were taken against there being any caricature of the now disposed monarch. The manager agreed, but the performances did not come off, apparently on account of the disturbed state of the city. In 1850, an unauthorized revival was put on the stage of the Gaite, while Balzac was at Dresden.
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