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His Phyllyp Sparrowe is a sportive, pretty, fantastic elegy on the death of a pet bird belonging to Mistress Joanna Scroupe, of Carowe, and has been compared to the Latin poet Catullus's elegy on Lesbia's sparrow.
For the honour of Catullus's gratitude, we should suppose that the latter is the one to which historians allude: but, as poetical compositions, they are equally unworthy of regard. The fifty seventh is nothing more than a broad repetition of the raillery, whether well or ill founded, with which Caesar was attacked on various occasions, and even in the senate, after his return from Bithynia.
Quintilian, and Diomed the grammarian, have ranked Catullus amongst the iambic writers, while others have placed him amongst the lyric. He has properly a claim to each of these stations; but his versification being chiefly iambic, the former of the arrangements seems to be the most suitable. The principal merit of Catullus's Iambics consists in a simplicity of thought and expression.
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