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Updated: May 4, 2025
At once you think of the Caprichos of Goya. The hag with the distaff, whose head is painted with a fidelity worthy of Holbein; the monkey profile of the witch crouching near the lantern, that repulsive creature in spectacles Goya spectacles; the pattern hasn't varied since his days these ladies and their companions, especially that anonymous one in a hood, coupled with the desperate dreariness of the background, a country dry and hard as a volcanic cinder, make a formidable ensemble.
That he spent the brief years of his life in painting the subjects he did is not a problem to be posed, for, as Henry James has said, it is always dangerous to challenge an artist's selection of subject. Why did Goya conceive his Caprichos? The love of decorative beauty in Fortuny was not bedimmed by criticism.
In his more outspoken works, such as the Disasters of War, and the series of prints called Los Caprichos and Tauromachia, he is too brutal not to affect the ordinary observer's judgment upon his artistic qualities. Velasquez himself could scarcely stop short enough, when painting dwarfs and idiots and cripples, to let us admire his genius unhampered by shivers of repulsion.
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