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Updated: July 3, 2025
The cuspidor end of it protrudes into one of the proscenium-boxes. The fair occupants of the box are frightened, and timidly shrink back. Wotan is at hand. He comes upon seven hundred yards of white tarletan, and fourteen pounds of hissing, blazing lycopodium! The pale, sad man at the other end of the boomerangelungen explains his wherefore. He applies his lips to the brazen monster.
Then the pale, sad man produces a large brass horn, big enough at the business end for a cow to walk into. It is a fearful, ponderous instrument, manufactured especially for "Die Walküre" at the Krupp Gun Factory in Essen. It has an appropriate name: the master himself christened it the boomerangelungen. It is the monarch, the Jumbo of all musical instruments.
Whose genius but Herr Wagner's could have found employment for the boomerangelungen? We hear talk of the sword motive, the love motive, the Walhalla motive, and this motive, and that; but they all shrink into nothingness when compared with the motive of the boomerangelungen.
Then the white tarletan clouds vanish, the blazing lycopodium goes out, and Wotan stands before the excited spectators. Then the pale, sad man lays down the boomerangelungen, and goes home. That is all he has to do; the six sonorous boohoops, announcing the presence of Wotan, is all that is demanded of the boomerangelungen. But it is enough: it is marvellous, appalling, prodigious.
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