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Updated: May 6, 2025
But musical critics enjoy a wide latitude of observation. In all likelihood there was nothing more in Dr. Basevi's mind than the strophic structure of "Di Provenza," the song style of some of the other arias to which attention has been called and the circumstance that these, the most striking numbers in the score, mark the points of deepest feeling.
In this respect, indeed, there is some relationship between "La Traviata" and "Der Freischutz" though this is an observation which will probably appear as far-fetched to some of my critics as Dr. Basevi's does to me. There were other reasons of a more obvious and external nature for the failure of "La Traviata" on its first production.
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