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Updated: May 1, 2025
In open-mouthed wonder the lama turned to this and that, and finally checked in rapt attention before a large alto-relief representing a coronation or apotheosis of the Lord Buddha. The Master was represented seated on a lotus the petals of which were so deeply undercut as to show almost detached. Round Him was an adoring hierarchy of kings, elders, and old-time Buddhas.
We have already given a specimen of such a process; here it will be sufficient to make use of two documents, different in kind, as far as they go, which have come down to us. The first is an alto-relief, which once was coloured, not first-rate in art or execution, and of the date of the Emperor Constantius, about a century later.
To the casual observer it bears less resemblance to an alto-relief than to a mosaic; no sooner do distinct patterns spring out of myriad details than they shift under the onlooker's eyes to a totally different form.
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