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In front of the stage and around the walls were benches, those in the latter position rising in tiers. On the left hand and on a level with the ground was the cazuela or women's gallery. The ground to the rear of the benches in front of the stage was open and formed the "standing-room" of the theater.

From the gradas and barandillas, from the windows and desvanes, from all the seats, but especially from those which filled the patio, there must have gone forth then amid clamorous applause a unanimous shout of admiration, of enthusiasm, and very just national pride. "¡Vítor, Lope!" shrieked that tumultuous multitude time and again. "Long live el Fénix de los ingenios!

France, on the other hand, is so situated as to feel the cross-currents of European life. Do not these facts explain, at least in part, the relatively insular characteristics of much contemporary Spanish literature? The Spanish literature, however, by its very provincialism is fascinating to those who are interested in Spanish civilization.

But to those who wish to study in these stories the growth of contemporary Spanish fiction, it is suggested that the authors be taken up in the order in which they are given in the Introduction. To the stories by Spanish authors have been added two by Spanish-American writers, the one a native of Costa Rica, the other of Chile. These stories are excellent and well worth reading.