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People with enviable nerves and unenviable tastes often enjoy sounds in the ratio of their lack of melody say, such everyday thoroughfare music as the slap and bang of coach-wheels on the cobble-stones; the creaking of street-cars round a sharp curve, like Milton's infernal doors "grating harsh thunder;" the squeaking falsettos of the cries by old-clothes' men, itinerant glaziers, fishmongers, fruiterers, tinkers and what not; the yells of rival coachmen at the railway-stations, giving one an idea of Bedlam; the street-fiddlers and violinists with horribly untuned instruments; the Italian open-air singers hoarsely shouting, "Shoo Fly" or "Viva Garibaldi! viva l'Italia!" the gongs beaten on steamboats and by hotel-runners at stations on the arrival of trains; the unearthly squeals and shrieks of new "musical instruments" sold cheap by street-peddlers; the horrible noise-producers which boys invent for the torture of nervous people such, for example, as this present season's, which is happily styled "the devil's fiddle," or "the chicken-box," whose simplest form is an emptied tomato-can, with a string passed through the end and pulled with the rosined fingers.
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