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Actualizado: 27 de julio de 2025
Seldom in any of his works, and never in La Moza de Cántaro, does Lope descend to dialect or to slang, but rather in the pure Castilian of his time, preferably in the Castilian of the masses, he composes his rhythmic verses.
He did not make the Spanish drama so much as he permitted it to be made in and through him, and by so doing he reconciled all classes to himself; he was as popular with the erudite as he was with the masses, for his plays have a variety, facility, and poetic beauty that won the favor of all.
The dramatic representations before this time were doubtless limited in a large measure to select audiences in castles and courts of noble residences; but Lope de Rueda had as his theater the public squares and market-places, and as his audience the great masses of the Spanish people, who now for the first time had a chance to dictate the trend which the national drama should take.
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