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Updated: April 30, 2025
The actual printing surface, of course, consists of an electrotype or stereotype taken from this metallic-grained photographic face. For "high-art" printing on fine paper with the more expensive kinds of ink, the half-tone zinco processes will doubtless maintain their supremacy and gradually diminish the area within which lithographic printing is required.
In the case of newspaper work, however, where haste in getting ready for the press is necessarily the prime consideration, the flat and very slightly-indented surface of the zinco block is found to be unsuited to the requirements. Flat blocks, which require careful "overlaying" on the machine, waste too much time for daily news work.
Half-tone zinco and similar processes have brought down the expenses entailed by reproductions in colour-work, so as to render an undertaking of this kind much more feasible than it was in the middle of the last half-century.
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