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I think that, putting aside purely technical works on music, stage-management, etc., the number of really good books could be counted on the fingers. The rest is feeble rhapsody on the one hand, malicious misrepresentation on the other. Of works of first-rate importance, works that really add anything solid to our knowledge, I only know one: Nietzsche's Geburt der Tragoedie.
All tragedies surely are social, except the "Prometheus." Buergerliche Tragoedie means a tragedy in which the protagonist is taken from common life, and perhaps cannot be translated clearly into English except by "tragedy of middle-class life." So on page 170 we find Emilia Galotti called a "Virginia bourgeoise," and on page 172 a hospital becomes a lazaretto.
and turned on the red fire! You should have heard that Atlantic of people moan and howl when that crimson hell joined the blue! After sixty seconds I shouted: "Transvaaltruppentropentransporttrampelthiertreibertrauungsthraenen- tragoedie!" and lit up the green fire!
and turned on the red fire! You should have heard that Atlantic of people moan and howl when that crimson hell joined the blue! After sixty seconds I shouted: "Transvaaltruppentropentransporttrampelthiertreibertrauungsthraenen- tragoedie!" and lit up the green fire!
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